Beacon actors will ‘cold read’ work
Like thousands of actors before him, from Australia to Zimbabwe, Alexander Florez will rip open a sealed manila envelope tonight (May 16) and cold read a 2010 play, White Rabbit Red Rabbit, in the backyard of his Beacon home. Two other performers will take the plunge in yards on Saturday and Sunday.
The premise — some call it a gimmick — is that everyone in a confined space takes an hour-long journey akin to a one-off jazz solo. Though details have leaked, audiences and the theater community (including reporters) have kept the broad outline and most revealing moments under wraps.
The playwright, Nassim Soleimanpour, includes a clause in the contract for producers: “This play is not overtly political and should not be portrayed as such. It operates on a deeper, metaphoric level, and very expressly avoids overt political comment. All media and press agents have to keep in mind that the playwright lives in Iran. We therefore ask the press to be judicious in their reportage.”
Florez is a math teacher who will never pass muster with the grammar police. He avoids capital letters as an act of resistance and his email tag links to “the case for lowercase” style guide on his website, which includes instructions about turning off caps on devices and in programs.
“I have a lot of respect and disdain for academia,” he says. “I’m impressed with education but also dismayed with the gatekeeping and barriers to entry. One way to oppress is by making complicated grammar and spelling rules the standard for everyone, even though a select few invented them.”
Pushback against authority is reflected in the play. According to Soleimanpour, he wrote it after he refused to serve in the Iranian military and the regime denied him a visa to leave the country. (He is now thought to live in Berlin.) The production requires props, but the playwright’s website touts the lack of sets, directors and rehearsals.
Studying for his practical teaching certificate at Mount Saint Mary College in Newburgh, Florez fell in with the acting crowd (he works at the Manitou School in Philipstown). After bouncing around the Hudson Valley, he moved to Beacon in 2022 and got involved with the improv and comedy scene.
White Rabbit Red Rabbit had an off-Broadway run in 2016: Nathan Lane, Whoopi Goldberg and Alan Cumming, among others, unsealed the script and got to work — for the first and last time. Playbill called it “the most-talked about (and least-talked about) new show.”
Beacon resident Jamie Mulligan read the script to prepare the actors, gather props and make staging suggestions. But per the legal agreement, the plot and other elements may not be divulged or discussed by anyone involved.
At first, Florez figured he’d reach out to local performance venues, but Mulligan suggested staging the play at an art gallery, coffeehouse or other offbeat space. James Phillips, a theater professor at Mount Saint Mary, will read in his yard on Saturday and Twinkle Burke walks the high wire on Sunday outside the home of Hannah Brooks (with contingency plans for inclement weather).
The play stems from experimental theater of the 1960s, Mulligan says, and “requires the audience and actor to encounter these subjects simultaneously, a connection that creates a level of spark that can only happen when everyone learns about this together.”
Broad outlines address elements of existential oppression and the role of individuals in society. “Someone told me that every play is about hope, so it places the human condition into primal conflicts, like man versus nature or man versus god,” says Mulligan. That so many details have remained a secret for 15 years “speaks to the integrity of theater-makers.”
White Rabbit Red Rabbit will be performed by Florez at 7 p.m. at 119 Howland Ave. in Beacon, at 7 p.m., on Saturday (May 17) at 24 Willow St. by Phillips and at 3 p.m. on Sunday at 99 E. Main St. by Burke. Tickets are $10 to $32.24 at dub.sh/white-rabbit.
